(...Continued
from - The Continuing Unfolding of the Crop Circles Part 1)
A
study of crop circles during the period 1978-1988 conducted
by Dr. Gerald S. Hawkins, former chair of Boston University’s
astronomy department, revealed that the proportions of the
circle diameters and the areas inside the rings produced diatonic
ratios corresponding to the white keys on a piano. For satellite
and spaced circles, the diatonic ratio is the large diameter
divided by the small diameter. For concentric circles, the
diatonic ratio is area of outer circle divided by area of
inner circle. For ringed circles, the diatonic ratio is given
by the circle at the "up" edge of the ring, measured
outward from the center of the formation. The ratios discovered,
such as 3/2, 5/4, 9/8, ‘rang a bell’ in Hawkins’
mind because they are the numbers which musicologists call
the ‘perfect’ intervals of the major scale in
European music. The white keys can be related to the ordinal
numbers 0, 2, 4, 5, 7, 9, 11 and 12. The black keys can be
related to the ordinal numbers 1, 3, 6, 8 and 10. When Professor
Hawkins analyzed the geometric ratios from the individual
crop circles, he discovered that all of these corresponded
to integer numbers, whereas arbitrarily sized circles would
often result in fractional numbers.
Also
noteworthy was Professor Hawkins’ discovery that each
of the derived ratio numbers from the crop circles were diatonic,
that is, directly corresponded to the white keys of a piano.
If you take the note C on the piano, say, then go up to the
note G, you have increased the frequency of the note (i.e.,
the number of vibrations per second), or its pitch, by 1 1/2
times. One and one-half is 3/2. Each of the notes in the perfect
system has an exact ratio — that is, one single number
divided by another, like 5/3. The notes in the major scale
are C, D, E, F, G, A and B. The ratios of the increased frequency
from the note C are 9/8, 5/4, 4/3, 3/2, 5/3, 15/8, finishing
with 2, which would be C octave. The probability that ratio
numbers from the crop circles were diatonic was just a coincidence
in the 25 crop circles analyzed in that study was calculated
at 1 in 400,000. In fact, the Circle Makers are math whizzes
and know precisely what they are doing.
The
Boston professor discerned that some of the most visually
striking of the crop-circle patterns embodied geometric theorems
that express specific numerical relationships among the areas
of various circles, triangles, and other shapes making up
the patterns.[iii] In one case, an equilateral triangle fitted
between an outer and an inner circle. It turned out that the
area of the outer circle is precisely four times that of the
inner circle. Three other patterns also displayed exact numerical
relationships, all of them involving a diatonic or musical
ratio discussed above. These designs evidence the astute mathematical
ability of the Circle Makers. Hawkins found that he could
use the principles of Euclidean geometry to prove four theorems
derived from the relationships among the areas depicted in
crop circles. He also discovered a fifth, more general theorem,
from which he could derive the other four. All geometries
resulted in diatonic ratios.
The
Circle Makers’ handiwork demonstrates a thorough facility
with Euclidean geometry and signals an ability to bend living
plants at the node without cracking stalks (a skill the Circle
Makers developed on the crops on their home planets), and
to trace out complex and precise geometric patterns under
cover of darkness, with a few notable exceptions during daytime
such as Stonehenge. Note too that the art work of the Circle
Makers changes from year to year, and displays new and changing
patterns of artistic and mathematical themes. What we have
seen so far is merely the preliminaries. More is to come.
Eyewitnesses
to the formation of crop circles agree that they are formed
by balls of light. The young Dutchman, Robert van den Broeke,
in 1996, consistent with the reports of other eyewitnesses
of circle formations, reported that he felt trembling air
and crackling noises “as if you take off your sweater
over your head,” or, on another occasion, “as
if you throw frozen French fries in hot oil.” The crop
circle was formed by one or more “bouncing balls of
light,” spinning rapidly through the crop “so
that it almost resembled a fluorescent disk.” Sometimes
the balls had a white-bluish or white-pinkish color, or at
times more orange-like.
These
radiant balls of light that form precise pictograms are radioactive
electromagnetic force fields, which result in short-lived
radionuclides in the soil within the pictograms, created by
bombardment of the soil with deuterium nuclei (stripped of
electrons) or "deuterons" causing sufficient heat
to bend the stalks at the nodes but not to blacken or destroy
them. Deuterium is an isotope of hydrogen, known as “heavy
hydrogen,” consisting of one proton and one neutron.
The radionuclides that were left in the soil are: Lead-203,
Europium- 146, Tellurium-119m, Iodine-126, Bismuth-205, Vanadium-48,
Protactinium- 230, Ytterbium-169, Yttrium-88, Rhodium-102,
and Rhodium- 102m.[v] The source of these radionuclides is
activation by deuterons. Activation is the process of bombarding
atomic nuclei with high-energy subatomic particles. The nuclei
capture the subatomic particles and are transformed into different
nuclei, i.e., the radioactive isotopes found in crop circles.
The intention of these extraterrestrial pictogram artists
is benign and instructional. But it is not a good idea at
all to be near crop circles during formations (very dangerous)
or even to visit them for a day or two after formation (possibly
dangerous especially to children notwithstanding that emission
levels appear to be below levels injurious to health). It
is surmised that to activate atomic nuclei, deuterons would
have to possess energies exceeding one mega-electron-volt
(MeV). That means that each deuteron would have to be accelerated
by an enormous electrical field possessing a total potential
of not less than a staggering one million volts -- pretty
damn impressive from a hovering spacecraft.
The
extraterrestrial source of such vast but controlled concentrations
of focused electrical energy and heat, is radioactive. There
are other methods to achieve such concentrations of energy
that are not radioactive, but not in the confined space of
a spacecraft. This heat and electricity is what expands the
liquid core of the plant cells in the nodes or knuckles (pulvini)
along the stem of the plants and causes the nodes to lengthen
acting as a flexible ligament, and allowing the plants to
bend unharmed and lie flat on the ground. High-purity white,
powdery deposits of silicon dioxide, SiO2, on the crop circle
plants is found in small, perfectly round spheres with average
diameters of 50 micrometers, indicative of the intense heat
applied during formation. High levels of magnetite (magnetic
iron ore) found in crop circles, 600-fold above normal, are
a telltale sign that the Circle Makers’ spacecraft have
picked up meteoritic dust in their travels in and out of Earth’s
atmosphere.
Might
someone enamored of geometry and mathematics be seeking to
teach us something by their crop pictograms? The truth is
out there. Let men and women go in search of the truth honestly,
faithfully and scientifically, using all of the skills, intelligence
and moral sense that God bestowed upon them.
The
crop circles show us the benign side of the ET persona and
their willingness to travel so far to share with us and teach.
Their crop art are showings of magnificent beauty, good will,
and extraordinary geometric, mathematical and musical knowledge.
They are telling us that their intentions are good. These
benign Circle Makers take delight in mysteriously and gradually
(so as not to frighten) revealing themselves in their formations
over lengthy periods of time. They typically do their work
at night from their spacecraft when no one can see them. How
exciting for the Circle Makers, almost like Papa playing Santa
Clause and watching the exuberance on our faces when we were
young’uns. More is to come, though, much more. The crop
circles have only just begun. The Circle Makers absolutely
delight in tantalizing, amusing and teaching the human race,
revealing their intelligence and benign nature, and even displaying
their fondness for friendship. It must be a great adventure
to design and form these wondrous pictograms! They want to
show us that they have a heart, that they care for us, that
they recognize the leaps in human progress and especially
man’s forays into the air with flying machines early
in the 20th century – that caught their attention --
and later into space beginning in the 1960’s –
that really caught their attention. American astronauts including
on the Mercury, Gemini, Apollo and Shuttle missions as well
as Russian cosmonauts have from time to time looked out their
windows and viewed unidentified spacecraft tracking alongside
from a distance, engaged in surveillance.
This
book advances the hypothesis that the crop circles are beneficent
signs, and they are becoming more revealing of the Circle
Makers, leading to something fantastic that has not yet happened
– within this new century. It is no accident that crop
circles frequently appear near to sites of historical interest
such as Stonehenge, which appear originally to been used to
predict astronomical events.[vi] These ET astronauts understand
something of the historical significance of these sites to
humans. They have been studying mankind and writing up and
filing their reports for tens of thousands of years.
On
August 2 to 3, 2004, the Circle Makers created the crop formation
at Silbury Hill, Wiltshire, UK.[vii] Of interest, the circle’s
border is a mirror image of a rare statue of the Aztec god,
Xochipilli -- Prince of Flowers, Maizes, Love, Games, Beauty,
Song and Dance. Xochi means 'flower,' while pilli means prince
or child. In the mid-1800's, a 16th century Aztec statue of
Xochipilli was unearthed from the volcano Popocatapetl near
Tlamanalco, Mexico. That statue is of a single figure of the
Aztec god seated upon a temple-like base. The August 2004
Silbury Hill crop formation suggests two cultures joining
hands in friendship, against the Aztec art motif. Both the
statue and the base upon which it sits are covered in carvings
of sacred and psychoactive flowers including mushrooms (Psilocybe
aztecorum), tobacco (Nicotiana tabacum), morning glory (Turbina
corymbosa), sinicuichi (Heimia salicifolia), possibly cacahuaxochitl
(Quararibea funebris), and an unidentified flower. This Aztec
god sits cross-legged on the base, head tilted up, eyes open,
jaw tensed, with his mouth half open. The statue itself is
currently housed in the Museo Nacional de Anthropologia of
Mexico. The ancient Aztec statue's repeating base design of
90-degree mazes back-to-back is similar to, but curving in
the opposite direction of, the border of the August 3, 2004
crop circle at Silbury Hill.
The
crop circles are becoming more and more revelatory of their
Makers’ characters. Earth is really quite the planet,
in case you didn’t notice. Consider their pictograms
over the years as a continuing work of art still in progress
that is leading to a friendly encounter if the invitation
is accepted. Consider them as a continuing slide show from
another world leading to a grand finale. The Makers are gradually
teaching us over many, many years who they are, unfolding
the mystery slowly but surely, giving us confidence in their
intelligence and good intentions, leading to a crescendo as
in Ludwig van Beethoven’s Symphony No. 9 “Choral”
– a formal encounter (I believe) later this century.
Nothing right away, though. But the cosmic slide show on our
farms and fields will continue and become even more exciting.
The world should be watching intently, grasping every ounce
of information that the crop circles reveal. It would be desirable
when this does occur that we can show these foreign astronauts
that we take interest in their culture just as they have shown
interest in ours. Humans and all rational beings are naturally
apprehensive of the unknown. Yet, does it occur to us that
these alien astronauts are likewise apprehensive of us? Consider
how the extraterrestrials who crashed in New Mexico in July
1947 were treated, with our soldiers frightening them, hollering
and pointing guns at them. This was a botched opportunity.
What would intelligent beings from other worlds think of mankind
with its proclivity for wars that have worsened in the last
millennium? Must we not consider how human civilization with
its pervasive wars and continuing violence appears to extraterrestrial
civilizations in the Universe? Can common ground be found?
I submit that it can, and but there is much groundwork that
should be undertaken.
Consider the Tan Hill, England crop formation on July 31,
2004.[viii] It began to form on July 28 this year, appearing
as the head and face of an extraterrestrial with outstretched
arms in a friendly gesture of greeting. On July 29, three
circles were added below the head. On July 30, additional
circles were added below the ET head with the other three
circles, diminishing in size away from the head, suggesting
travel from a distant world. On July 31, the formation was
completed with eight circles added on each side in the general
shape of arms. The July 2004 Tan Hill glyph is one of the
most revelatory crop circles ever. The structures are now
so large-scale and intricate that they cannot be formed in
a few minutes as with glyphs of prior years. That is why the
Circle makers are taking three days.
Authors
Details: John Umana
Excerpt from - Chapter 8 - Creation : Towards A Theory
of All Things |
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